![]() One of the best tracks here is Haymes’ “ You For Me”, which doesn’t come across as silly like some others, but is nevertheless full of funny lines like: The much-covered “ ’Deed I Do”, “ Everything I’ve Got”, “ Comment Allez Vous” (with slightly overdone male/female backing vocals), “ Tout Doucement” (a popular French cabaret tune?), “ I Hear Music”, and “ I Won’t Dance” (half in English, half in French) are the cutest, or silliest, depending on your perspective, but all are so tastefully done, with that winning vocal-timbre, that you just have to give in and enjoy them!īlossom sings three songs by Bob Haymes here (his big one, a few years prior to this album, was “That’s All”, but she doesn’t do it). After all, Blossom had to entertain supper-club audiences in smoky Parisian nightclubs, and sometimes you’ve got to mix it up. ![]() Some of the cuts also feature backing vocalists.īe warned if you’re a “serious” jazz fan: some of the songs are cute (yes, like Blossom herself) and even rather silly. Now able to accompany herself on her own big-label LP, Blossom was fortunate to be joined by bassist Ray Brown (Ella Fitzgerald) and drummer Jo Jones (Count Basie Orchestra), themselves not exactly slouches in jazz performance. Still, she was often spoken of as a very fine pianist and accompanist, and certainly sounds great. Her tinkling of the ivories can be heard throughout this disc, though the piano isn’t particularly well-miked on some of the tunes (the bass, however, is). On this first Verve long-player, she also sings some of the chansons française she learned over in gay-Paree – sometimes singing in both French and English – which also adds to the novelty of this fine recording, which is otherwise laden with bebop-era standards.īut Blossom was primarily, perhaps, a pianist. But then again, she never sounds overly clever or insincere. Everything she sings sounds slightly tongue-in-cheek, and her voice exudes cuteness, which is just as well with a name like “Blossom Dearie”. But it’s not slick like Bennett’s it has some gravitas… somehow. Some have called it an acquired taste, but upon first impression I found it instantly agreeable. But Blossom was also friends with Tony Bennett, and it was towards cabaret that she had moved even before Granz invited her to record for all-powerful Verve in 1956, upon her return to the USA.īlossom had sung for years in vocal groups in New York (with Woody Herman’s Blue Flames, for one), and was possessed of a unique and high-pitched voice. Blossom had already put in several years within the bebop scenes in Manhattan through the 1950s (she was chums with Gil Evans, and apparently was present for some of the Davis/Evans Birth of the Cool sessions, for example she knew Bird and Dizzy, too). Granz may have already known who she was or maybe he didn’t. The story goes that Norman Granz, famed jazz impresario and Verve Records main-man, was checking out the clubs in Paris, France one evening in 1955 or 1956, when he saw and heard Blossom Dearie, who’d been in Paris for a while singing and playing piano.
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Underwater sound peaked between 70 and 400 Hz, exhibiting strong tones in this frequency range related to engine and propeller rotation. Underwater sound of rigid-hulled inflatable boats was recorded 142 times in total, over 3 sites: 2 in southern British Columbia, Canada, and 1 off Western Australia. Underwater sound of rigid-hulled inflatable boats.Įrbe, Christine Liong, Syafrin Koessler, Matthew Walter Duncan, Alec J Gourlay, Tim This study provides further evidence that dolphins respond to individual-specific sounds and that these marine mammals possess some capacity for processing airborne acoustic signals. We hypothesize that they perhaps detected modifications of the sound induced by air or were confused by the novelty of the situation, but nevertheless recognized they were being "targeted." They did not respond when hearing another group member's cue in either situation. ![]() ![]() Dolphins recognized their own sound cue after hearing it underwater as they immediately moved toward the source, whereas when it was airborne they gazed more at the source of their own sound cue but did not approach it. We investigated the behavioral responses of seven dolphins in a group to learned human-made individual sound cues, played underwater and in the air. Dolphins are thought to perceive only underwater sounds and their training depends largely on visual signals. We tested whether these cetaceans could learn artificial individual sound cues played underwater and whether they would generalize this learning to airborne sounds. Lima, Alice Sébilleau, Mélissa Boye, Martin Durand, Candice Hausberger, Martine Lemasson, Albanīottlenose dolphins ( Tursiops truncatus ) spontaneously emit individual acoustic signals that identify them to group members. Furthermore, the literature on dredging-related sounds and the effects of dredging sounds on marine life is surveyed and guidance on the management of dredging-related sound risks is provided.Ĭaptive Bottlenose Dolphins Do Discriminate Human-Made Sounds Both Underwater and in the Air. The paper follows a risk-based approach and provides guidance for standardization of acoustic terminology and methods for data collection and analysis. A WODA Expert Group on Underwater Sound (WEGUS) prepared a guidance paper in 2013 on dredging sound, including a summary of potential impacts on aquatic biota and advice on underwater sound monitoring procedures. The World Organization of Dredging Associations (WODA) has identified underwater sound as an environmental issue that needs further consideration. Thomsen, Frank Borsani, Fabrizio Clarke, Douglas de Jong, Christ de Wit, Pim Goethals, Fredrik Holtkamp, Martine Martin, Elena San Spadaro, Philip van Raalte, Gerard Victor, George Yesu Vedha Jensen, Anders ![]() Please note that this is a natural product sometimes crystals have small imperfections and blemishes.WODA Technical Guidance on Underwater Sound from Dredging. During meditation, this stone can bring you into your “Inner Temple” where you may connect and integrate your Higher Self more fully.ĭue to the nature of natural items, color and pattern will vary. ![]() Used for the clearing of the aura and the chakras, as well as the removal of unconscious cords, limited beliefs, and psychic contracts. It assists in elevating your mood and connecting you with your angelic spirit guides. Enhances intuition and psychic skills while surrounding you with harmony and love. This crystal radiates peace and positivity. You will receive 1 intuitively selected Aura Quartz point and a meaning card with your order.ĮNERGY: Aura Quartz has been bonded with Platinum and Silver. |
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